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Language All languages. All languages. Hawaiian renaissance was therefore a rebirth of traditional Roman architectural principles of aesthetics but also included concepts derived from Hawaiiana. Elegant facades had petite columns and wide verandas and walls that seemed to crinkle.

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Curves and ornamentation were important. This building is categorized as the only example of American Florentine architecture anywhere in the world.

It resembled a medieval castle with crenelated parapets and towers. In the last years of the Hawaiian monarchy and early years of the territorial period, Hawaiian Romanesque architecture came into popular use. The style hearkened back to the European designs of the 11th and 12th centuries. Hawaiian Romanesque employed principles and forms used by Romans in later periods of the ancient empire.

The difference was that Hawaiian builders used dark basalt boulders giving the appearance of a uniquely Hawaiian style. Such buildings typically used rounded arches, barrel vaults and groin vaults and cruciform piers for support.

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The various buildings of the Bernice P. Bishop Museum are in the Hawaiian Romanesque style. Developed in France in the late 19th century, Beaux-Arts is a form of neoclassicism that combines ancient Greek and Roman architectural styles and principles into a modern form. Likewise, Art Deco is considered to be a blanket modernization of all architectural styles. Hawaiian builders created Hawaiian Beaux-Arts and Art Deco architecture by incorporating Hawaiian motifs and tropical treatments to the various parts of their projects.

Developed in the s and popularized in the s, Bauhaus architecture became a widespread trend throughout the world. Bauhaus employed classical principles in their most simplified forms without the use of heavy ornamentation. Characteristic of Bauhaus were dull colors like white, gray, beige and black and embraced open floor plans. Burns in his plans to construct a new capitol building for his state.

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Hawaiian international architecture used precious indigenous koa wood for doors and furnishings and designs employed symbolism of natural Hawaiian phenomena. The capitol dome, for example, is designed to reflect the volcanic origins of the Hawaiian Islands. Beneath the dome is a mosaic by Tadashi Sato representing the frequently changing colors of the Hawaiian coastal waters.

Tied into the ocean theme, the capitol is surrounded by water just as the Hawaiian Islands are surrounded. The main space of the capitol building is open to the environment with entrances facing the sea and the mountain, respectively. At the same time that the monarchy and various corporations developed downtown Honolulu with their renditions of Hawaiian renaissance styles, residential homes were being built in the outskirts of the city and elsewhere in the state. The style became known as Hawaiian plantation architecture featuring low profile wood frames, vertical plank siding and large porticos.

Roofs were the most distinguishable parts of Hawaiian plantation structures as they were wide-hipped or bellcast and had eaves that were deep bracketed.

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When viewed against the natural Hawaiian environment, Hawaiian plantation structures look as though they blend easily with their surroundings.